I’m powering the Micro Remote with a D-tap out of a Swit S-8U63 battery on the FS5 and mounting the FS5 LCD and Micro Remote Base Station onto the camera using the 1/4-20 mounts to help balance out the heavy lenses. Beyond any doubt, Sony A7III is regarded as one of the most talked-about mirrorless cameras in 2018. Vocas make a nice top cheeseplate that attaches to a PL mount support bracket it you want to use the FS5 in a more cinema-camera style. Designed for APS-C-format E-mount cameras, this lens offers an extremely versatile 27-157.5mm zoom range and has a constant f/4 aperture for consistency through all focal lengths. Image stabilization, or vibration reduction, O.I.S., Optical SteadyShot, SR, VC, VR, MEGA O.I.S., and other equally catchy monikers, are technologies that enable photographers to take pictures under lighting conditions that once upon a time would have been considered too iffy for capturing sharp still images. Image rendering is great, bokeh is nice, stabilization is missing, build quality above par. The body is so light that it does make it hard to use zoom lenses on the Movi but I’ve created a great setup that proves to be very powerful. SDI Output: 1 x BNC HD/3G-SDI First impressions are very good. The only downside is the size of the battery charger – it hasn’t changed since the EX1. A camera with image stabilization can shoot at much lower shutter speeds than one without, creating a cleaner, crisper low-light image than the … There are also 51 lenses with weather sealing for A7R IV that you can couple with its weather sealed body. However, its immersive qualities create unique technological challenges. With little investment needed for accessories, flash memory and batteries, it’s good to go straight from the store. Alas, that might be Sony’s next camera, but for today we’ll just have to stay in want. Every new camera they’ve released from the FX9 to the A7C has incorporated this fantastic, new method of post stabilization. Constant F4 aperture eliminates unwanted exposure changes during a zoom. When loaded with two cards, the FS5 can simultaneously record proxy files along with your desired resolution with the same name and timecode. The Sony PXW-FX9 is a very popular camera. It is also a power zoom lens which means that it can be zoomed via the rocker on the handgrip, camera handle, or on the side of the lens itself. HDMI 2.0: 1 x Type A Check out the article if you are on a budget. Using 24, 35 and 50mm Canon L primes allows me to use the Metabones adapter and Speed Booster to create different focal lengths, and I’m using the Tokina 11-16 for wider shots. This is a bit of a shame and I would have preferred to see a better one in there. And internal zoom means the front of the lens does not extend, so it will not interfere with your matte box. If yes, how does the image stabilization compare to A5100 lens?” Asked by Anonymous 5 years ago. Because the camera is smaller, the LCD appears larger in scale. At the end of the day, how important is low cost, compact size and low weight vs the ability to put it on your shoulder and the provision of 4K 10-bit internal recording? External SDI or HDMI and 3. S&Q mode allows continuous shooting at up to 60 fps in 1080P and there’s a buffer-based system to record up to eight seconds in full HD at 240 fps. Also, it exhibits a slight colour shift as your eye moves off-axis, which can be annoying. We were discouraged at the minimum native ISO of 1,000 and even more unwelcome is the minimum ISO of 3,200 in S-Log3. Image stabilization helps shoot steadier videos and shake-free stills. It’s perfect for a small gimbal and light enough for hours of hand held shooting. Sony offers a few better lenses for run-and-gun shooting and many other options for more controlled shooting situations. The leading smartphones like the iPhones have had it for a long time, as some other action cams also have it; the Sony FDR-X3000, for instance, uses optical stabilization where the lens moves to compensate for vibration, which is a different way of tackling it. Sony FX6 reviewed – the lowlight cinema camera champion, A hands-on review of the GoPro HERO9 Black, Sigma fp review: An odd but capable cinema camera with potential, The best lights for video production — 2020. I enjoyed reading your article about the FS5, a camera I recently purchased, but since I am new at video I went with the kit lens. The nice thing about this camera is that it doesn’t require overly-expensive media. I took pictures indoor and outdoors. It also lets you pick out footage at exactly the point that you want. Are these changes super noticeable? It’d be nice to not have to deal with that much light. I tried all sorts of things. Sony recently released the PXW-FS5, a professional camcorder that in many ways delivers a bigger punch in a smaller package than the FS7. I figured there was no better way to test it than to film my friend Kai for an episode of Digital Rev. Everything above ISO 4,000 needs some noise reduction and everything above ISO 8,000 is not salvageable. Turn off the engine and all is well. Anyway, if you are thinking about buying the FS5 to turn it into a cinema-ised rig, you should probably stop and consider whether an FS7 would make more sense for you. USB: 1 x Multi/Micro Luckily I edit mainly in Premiere so it was easy for me to work with the footage. You do not have to worry about that when using any lens on the Sony A77. File Format: XAVC HD REC FORMAT: 1080/24p 50Mbps XAVC HD will give you the best quality image this camera is capable of, in gorgeous 10-bit, which can withstand a lot of color grading without getting noisy. The setup is still relatively light and the footage looks awesome! The PXW-FS5 is a more compact and far lighter camera than the PXW-FS7, coming in at only 1.76lbs. The venerable old original C300 is still an option that is widely accepted in production and can now be had for not more more than the FS5. Can’t wait to see what we are able to create!”. The PXW-FS5 is the PXW-FS7’s little brother, offering many of the same options with a smaller, more compact form-factor. HVL-LBPC light does not draw power from FS5 II. Does the SONY RX1 have image stabilization? ND Filter: Variable: 1/4 to 1/128 Presets: Clear, 1/4, 1/26, 1/64 The camera produces an image with a very natural looking highlight roll-off. To begin with I started with comparing the Canon 24mm f/2.8 IS on the Canon 5DS R vs the Sony 28mm f/2.0 on the Sony a7R III. Recording Format: XAVC Long, XAVC Proxy, H.264 / AVC, 4:2:0 8-bit, MP4 wrapper, AVCHD Once shot, all we needed to grade the S-log3 footage was a simple LUT. Sony has developed a powerful yet quiet mechanism for Balanced Optical SteadyShot. We shot in the picture profile 1 — one of the six standard picture profiles on the camera. I think they’re more useful if you want to hang the camera from grip gear in a car, for example. And if the kit lens doesn’t appeal then Sony’s E-mount offers a great deal of flexibility in terms of what you can hang off the front of the FS5, from the latest Canon EF glass to cheap vintage primes. Walking around with the camera, we shot buildings, the water, onlookers and cars in traffic. Image stabilization (IS) is a family of techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure.. Generally, it compensates for pan and tilt (angular movement, equivalent to yaw and pitch) of the imaging device, though electronic image stabilization can also compensate for rotation. The handgrip’s cable is short so you will need an extension if you want to use the grip anywhere other than attached to the side of the camera. The built-in OLED EVF is just OK. It’s such a great setup. The grip can be rotated with the press of a button, so the left hand remains free for focus control. The connecting cable is permanently attached to it and has the same Sony connector type as the FS7. The FS5 autofocus is sluggish in comparison and feels very much like the system on the FS7. It’s similar to the one on the FS7, except that it mounts via a special bayonet. It can be oriented up or down depending on your preference. The press release seems to … One question that is just becoming more and more popular is based around the best gimbal for Sony fs5 camera users so we have decided to make this the subject for today’s article. A big problem with the FS7 was the menu operation. I’m sure that there will be even more third party solutions eventually. The C-100 Mark II is a bit cheaper but doesn’t offer 4K. Nailing the exact point of focus is difficult and you end up spinning the dial frantically if you want to rack quickly from one end of the focus range to the other. The new cameras like the a7r II and FS5 also have it. Clear Image Zoom, which uses a smaller area of the sensor and some electronic wizardry to effectively increase the focal length of your lens, is a very welcome addition. Plus, the FS5 will shoot UHD 4K in 24 and 30 fps at 100Mbps. Almost everything had to be handheld because we were shooting at such a pace and the session allowed me to really get to grips with the camera itself. Even so, my recommendation if you need this functionality is simply to buy the FS7 instead. So although it’s a world camera, it makes shooting at 240fps harder if you are a PAL user – you’ll need a card specially for that speed. I did the test with both lenses. It it’s a lower resoltion 1.44 million dots type and not as good as the one in the a7S, let alone the stunning one in the a7S II. It's official. Before we get into our experience with the FS5, let’s rundown some of the noteworthy specs. Your muscles don’t twitch 500 times a second! I'm one of those folks who blithely does u-turns on busy highways to get pics of birds. The sensor delivers 14 stops of dynamic range and can shoot up to 960 fps in burst mode. It has small but significant improvements over the rival Canon C100 mkII. An unfortunate aspect of the PXW-FS5 is that the minimum ISO for non S-Log picture profiles is still high at 1,000. Audio Input: 2 x 3-pin XLR Both of these have standard OSS and I'm not blown away by their image stabilisation compared with the IS on my old Canon XF300. The in-camera image stabilization is silent and you do not hear the same hum you normally hear on Nikon lenses when image stabilization is engaged. Meticulous optical design maintains axial image consistency across the zoom range. This is camera shake. A better lens option for run-and-gun shooting might be a Canon or Sigma 24-105mm f4 lens with a Metabones Speedbooster. The first issue is that the shape of the frame of the camera’s screen is different to the FS7 so you can’t fit either Sony’s loupe or Zacuto FS7 Z-finder mounting frame. It wasn’t just bills and circulars on my doorstep last week: Sony’s new FS5 also arrived for testing. Overall, the picture quality from the lens was nice, but it’s functionality was not so impressive. The picture quality is superb and the form factor is easy to use — but those things don’t come cheap. The FX6 comes with all of the bells and whistles that the FS5 II, but has a larger sensor, new media options, higher frame rates, XAVC-I 10bit 422 internal capture and new mounting options. It can also be programmed to work like a conventional ND filter wheel, just stopping at three fixed strengths of your choice. If you do want to rig up the camera there are several hurdles to overcome. The zoom speed is variable and can be set in the camera menu. As a B-camera on larger productions the FS5 should work well in places where you might previously have used a DSLR, GH4 or Sony a7S. The FS5 can shoot 8-bit internally in 4K at 100 Mbps, or perhaps more importantly 10-bit 4:2:2 HD at 50 Mbps. If you’re starting out with the Sony FS5, and going for a cinematic look, here’s a setup guide that will have you up and rolling fast.. Codec. I have two lenses with image stabilization, one is a 24-105 mm f/4 and the other is a 70-200 mm f/2.8. The Sony fs5 is a great little camera that offers some absolutely outstanding image quality with a ton of solid features. The third camera in Sony’s Cinema Line, the Sony FX6 is a full-frame cinema camera that's lightweight and fully featured. This image has a lot of blur and upon even closer glancing, you can see some trails. In fact you can use the FS7 EVF on the FS5 if you wanted. The location offered many beautiful shooting situations. For video only? Before trying it out this week it I hadn’t realised that it’s actually small enough to work with accessories aimed at DSLRs, rather than you having to build out a large rig as you would need to for its bigger brother the FS7. It seems with this release that Sony intended to make a camera that feels more like the C-100 Mark II. Headphone: 1 x Stereo mini jack I can see many high end users of Sony’s larger cameras picking up an FS5 just for gimbal work. There are several mount points on the rear of the grip, and you can turn one into a cold shoe with an included adapter. The FS5 boasts a 4K Super 35 Exmor sensor, an E-mount, an adjustable “Smartgrip” handgrip (Smartgrip), and both an EVF and adjustable LCD panel. The picture ends up being a little noisy but it’s not bad if you need the extra extended lens ranges that an older ENG-style lens will give you. A site for working professionals in the TV & Film industry. Image stabilization The main feature that this lens lacks is image stabilization (IS). For stills and video? Want to change the white balance? The 1.56 million dot flip out screen is nice and clear and looks very similar in quality to the one on the FS7, but lacks the loupe attachment to turn it into an EVF. It’s so great that Sony has so many 1/4-20 options on top of the camera. And Sony also has a 24-105mm f/4 OSS - the equivalent of Canon's workhorse - but it wasn't available at the time of the review. What the Sony FX6 will cost is a little up in the air as well. Sony’s image stabilization reduces the effects of camera shake. However, I tested the manual focus with the kit Sony 18-105mm lens and found it pretty hard to use accurately. It was just too touchy. The ND is linearly adjustable, making getting the right exposure not only possible but easy. Switches and knobs are not valued highly enough when evaluating many small form factor detachable-lens cameras. The camera has all the regular Sony colour and gamma options. If you’re starting out with the Sony FS5, and going for a cinematic look, here’s a setup guide that will have you up and rolling fast.. Codec. Also for: Pxw-fs5k. But the only other two Sony lenses I have to compare it against are the 35mm (SEL35F18) and 18-105mm kit lens (SELP18105). But the edge goes to Sony here, because you can choose 4K if you really want the resolution. The only camera I would consider to be a worthy alternative for handholding is Canon’s C300 mkII at almost three times the cost – which is worth considering if you really need high bitrate internal 4K recording, Canon colour science and fast autofocus. It offers wireless file transfers of full resolution via Wi-Fi to an FTP server, plus wireless streaming to MPEG TS receivers and computers for remote monitoring. Rigging the Sony FS5 Sony have clearly designed the FS5 with handycam-type use in mind. A camera with fewer high-end options and a lower price tag might fit the bill a lot better. For stills only? My go-to lens on the C100mkii has been the the Canon EFS 17-55mm f/2.8, and it works flawlessly on the FS5 with the Metabones adapter. The only problem is that Vocas aren’t sure they are actually going to make it. He shot the first news video on a DSLR and has been on staff at Reuters, The Guardian and CNBC. Dan heads up the editorial team at www.photogearnews.com. Sony’s PXW-FS5 is the generally stellar camera manufacturing arm of Sony’s latest addition to the world of compact professional camcorders and boy does … The advanced image stabilization information means handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look smoother. It’s either completely off, or when engaged you get between 1/4 to 1/128 ND by rotating a dial on the side of the camera. 4.7 (3,022) 1-7 of 7 Answers. Shooting from midday to about dusk, we were able to challenge the dynamic range in situations that had dark shadows and bright sun light. The third camera in Sony’s Cinema Line, the Sony FX6 is a full-frame cinema camera that's lightweight and fully featured. We feel that the Sony PXW-FS5 has great build quality, image quality and value compared to its competition. It didn’t perform poorly, but it wasn’t mindblowing either. There is an optical image stabilisation system that works very well. These are quite close to the handle and so it makes it difficult to use them to mount Noga arms. Image stabilization allows for far smoother videos, and lessens the amount of jerky movement that comes with handheld recording. With the PXW-FS5, the speed of the menu operation is a non-issue. As a manual lens it's much more like a 2/3" ENG lens to work with which if you have come from that background is a … There’s room in the camera for two SD cards, which can be set to duplicate recordings, run in sequence or even shoot 4K on one and low res proxies on the other. Once we began shooting, there was no avoiding what we experienced first when shooting in S-Log3: a minimum ISO of 3,200. It allows you to enlarge the image with close to the original image quality when shooting still images. Effective Picture Size: (H x V) 3840 x 2160 I tried all sorts of things. The viewfinder is OLED and, in times where the LCD fell short, it was nice to have another option. Gyro stabilization is becoming a standard for Sony cameras. I would happily use these for 10-bit HD shooting, but for 4K it might be a bit of a push to get really good results. One last big improvement over using DLSRs or mirrorless cameras is that all of your controls are at your fingertips and not in-menu. Two compact, energy-efficient motors manipulate the entire lens unit and image sensor vertically and horizontally, powerfully correcting camera-shake blur of pitch and yaw axes while a sophisticated algorithm compensates for blur caused by camera shake in roll axis. I used different apertures. I’ve had well over an hour of run time with the stock BP-U30 (read: tiny) battery you get in the box. There are several mirrorless cameras that would get you into UHD 4K at less than half the cost of the FS5. The SDI output is 10-bit 4:2:2 HD, but has no 4K option. This is what Sony says about Clear Image Zoom. What we we’d have really loved to see is the low light capabilities of Sony’s a7S II put into a better form factor with easier controls and XLR mic inputs. It also works well on my little Steadicam Merlin and my iFootage and Kessler sliders can carry it without issues. We felt that the ND being linearly adjustable is a great feature and a no-brainer. With IBIS, the camera sensor itself moves slightly to counter any camera shake. HVL-LBPC light does not draw power from FS5. The Sony version doesn’t have it … We shot with the Sony E PZ 18-105mm f/4 G OSS, the kit lens for the PXW-FS5. Sony builds its predecessor, the FS5 II, as a small body super 35 cinema camera. I’m sure cinema purists won’t touch the Clear Image Zoom, but for documentary and news shooters it is a feature that could well get you shots you would otherwise miss. Optically it is a pretty good all-rounder; I wouldn’t say it has the nicest bokeh or definition, but it isn’t terrible. Media Card Slots: 1 x MS/SD (dual Memory Stick/SD) It also works in 4K mode where the zoom factor is 1.5x – still enough to be a useful tool if you’re shooting developing action and don’t want to worry about having to change lenses. act of keeping your camera as still as possible while you capture a scene Packed with a slew of pro-grade video features such as 24MP Full-Frame Exmor Sensor, UHD 4K30p video with HLG and S-Log3 Gammas, built-in 5-Axis image stabilization, and insane low-light capabilities, it’s no surprise that the offering is one of the best selling mirrorless cameras … Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. I did the test with both lenses. Sony A7R IV is at the top of our list with a Overall Score of 99, followed by Sony A7R III and Sony A9 II. Thank you. There’s also a Centre Scan sensor crop mode that allows compatibility with Super16 lenses, or 2/3 b4 ENG lenses with a MTF b4 to S16 E-mount adapter. Thats a lot of light to compensate for. Sony - Alpha a6000 Mirrorless Camera with 16-50mm Retractable Lens - Black. In other words you can’t record internally and externally plus use the camera’s EVF or screen while in 4K – in HD its not a problem. Hi Sven, most def, any DSLR is going to be a pain for running and gunning compared with C100mkii or FS5. Packed with a slew of pro-grade video features such as 24MP Full-Frame Exmor Sensor, UHD 4K30p video with HLG and S-Log3 Gammas, built-in 5-Axis image stabilization, and insane low-light capabilities, it’s no surprise that the offering is one of the best selling mirrorless cameras … The handgrip puts all the right controls at your fingertips. You can shoot even higher speeds – up to 960 fps at reduced resolutions although this is a feature I have yet to fully test. It may be OK for some subjects, but I still prefer to use the Sonys in manual focus. See all questions & answers. This camera really excels at run-and-gun shooting. Obvious uses include on brushless gimbals and in-car rigs, although you will probably want to record externally. The FS5 doesn’t offer as many codec options as the FS7, though, which has its upsides and downsides. Once in New York City, we shot around and in the High Line urban park area. I’ve used the first two with the FS5 and a Commlite adapter. So at the end of the day, we can’t fault Sigma for not including IS in this lens. If we were to buy this camera, we’d buy it without the kit lens. However, lenses with their own image-stabilization systems (marked OSS) are compatible with image-stabilized bodies too. The big distinction between IBIS and in-lens stabilization is where the stabilization mechanism is placed. I took pictures indoor and outdoors. On the subject of outputs, Sony have previously stated that when they update their firmware in January 2016, you will only get 4K picture to two of the following three output options: 1. Camera brands are bragging about stabilization -- but what does it all mean? Autofocus is there on the FS5, but don’t expect the confident, fast performance of a Canon C-series camera with Dual Pixel CMOS AF. We started our PXW-FS5 experience packing the camera up for a trip across the country, where we had the distinct pleasure to shoot in New York City for some of our tests. Internal SD card, 2. Finally there is a large sensor camera that you can use for broadcast work as efficiently as a handycam. A native ISO that high is a big bummer. The top handle is comfortable, attaches via two screw points and has a trigger, a built-in stereo mic, a mic holder and one of the camera’s two XLR sockets. That means this isn’t the optimal lens for shooting video. This was a temporary setback, however, as we quickly adapted our muscle memory and found it to be very intuitive. On a more positive note, it’s not all bad news in terms of mounting accessories. The PXW-FS5 doesn’t have a short battery life like many mirrorless cameras and doesn’t have any overheating issues, so continuous recording can last till the battery dies or your media fills up. The FS5 offers High Frame Rate (HFR) cache recording at Full HD 10-bit 4:2:2 image quality and a frame rate of up to 240fps. View and Download Sony PXW-FS5 operating manual online. The vari-angle mount for the screen is useful although I worry about how to protect the screen from banging into the camera when folded for transport in a bag. Unlike in-camera IBIS and other post-stabilization methods like the warp stabilizer in Adobe Premiere Pro, gyro stabilization records the camera’s motion and stores it as metadata in the file. 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