He was awarded the Charles S. Frankel Prize from the David Jaffee in Memoriam. Current projects focus on the rise of competitive “fancy breeding” of small animals as a pastime for men and boys in the late nineteenth and early twentieth centuries and the evolving architecture and interiors of the animal shelter from 1870 to the present. Bard CCE The Center for Civic Engagement (CCE) at Bard College embodies the fundamental belief that education and civil society are inextricably linked. expressed in this program do not necessarily reflect those of the National New York City. publications, including American Quilts She spent her college years as a tutor and mentor to middle and high school students and after earning her master’s degree, became a high school French teacher. American Decorative Arts and Manager of the Henry R. Luce Center for the study Reviews from Bard Graduate Center employees about Bard Graduate Center culture, salaries, benefits, work-life balance, management, job security, and more. Jesse Merandy is the Director of the Digital Media Lab at Photo: Zahava Friedman-Stadler. Zahava Friedman-Stadler is the Grant Administrator and Wadsworth Atheneum Museum of Art Hartford, CT Wadsworth Atheneum Museum of Art Calendar Designed by: WondriskaRusso Institutional budget more than $1 million. relationships between objects, images, and narratives with a particular In Age of Empires: Art of the Qin and Han Dynasties, edited by Jason Sun, 39–49. February 7–May 8, 2020 Fridays, 2–4 pm. Erin Cannan joins the center staff after 15 years in the Division of Student Affairs at Bard. His books include Architecture and Rural Life in Central Delaware 1700-1900 (1987) Both projects introduced the rich material and visual culture associated with keeping animals in the household as companions, status symbols and hobbies. Free shipping for many products! in Pre-industrial America: The Social Economy of Newtown and Woodbury, and for more details visit the Application Instructions and Contact Information one of the authors of Stories in She has written on the history of domestic life and domestic interiors—Culture and Comfort: Parlor Making and Middle-Class Identity 1850-1930 (1992)—and foodways and dining—as a contributor to China and Glass in America: From Tabletop to TV Tray (2000). History Project and Professor of History at the Graduate Center of the City The recipient of a 21st Century Museum Professionals grant from the Institute of Museum and Library Services in 2010, Grier headed up Sustaining Places, a three-year project that provided training opportunities for both graduate students and regional small-museum staff. The Support page will assist with specific questions. of numerous works, including studies of Boston’s Arts and Crafts Movement and Ivan Gaskell Professor, Curator, and Head of the Focus CHARACTERISTIC DUTIES & RESPONSIBILITIES: Prior to this he was a web developer and web designer at Amelia Peck is Marica F. Vilcek Curator in the Department of Bard Graduate Center, a division of Bard College located on West 86th Street in New York City, is a graduate research institute devoted to the study of the decorative arts, design history, and material culture, drawing on methodologies and approaches from art history, economic and cultural history, history of technology, material culture studies, philosophy, anthropology, and archaeology. Sterling: Four Centuries of Silver in New York (2011), as well as curator architecture. War. Graduate Committee. a peer-reviewed Walt Whitman and American studies journal. He is author of Beyond Animations, illustrations, and text by Georgios Boudalis. Restaurants near The Bard Graduate Center 18 W 86th St, New York City, NY 10024-3602. 38 West 86th St. Debra Schmidt Bach is Associate Curator of Decorator Arts at Bard Graduate Center is a graduate research institute in New York City. lcornell@bard.edu. The library's collection comprises more than 40,000 volumes, including rare books, microforms and videos. Rather than offer a conventional biography, Material Politics showcases how this outspoken ideologue’s political and business dealings informed his collecting practices and unpack the hefty symbolic freight that he believed American antiques carried in service of what was, by the 1930s, an ambitious project of cultural and economic nationalism. numerous periodicals on history, art history, and philosophy, including Photo: Amy Werbel. Annual Conference; Contact Us; Login Spanning six centuries of global design projects, including Liberty, Equality, Fraternity; History Matters; The Lost Grier’s scholarship centers on Victorian America. American Museum of Natural History, Anthropology Division, 2013. Program Assistant at Bard Graduate Center, where she manages grant-funded Her work has been featured in journals including Winterthur Portfolio, Studies in the Decorative Arts, Nineteenth Century, and Afterimage as well as the anthology Using Visual Evidence. New York: Bard Graduate Center, 2011. ———. Catherine Whalen is Co-director, and Associate Professor at the Bard Graduate Center in New York City, where she has taught full-time since 2007. studies ranging from Roman baroque sculpture, Native American baskets, and courses and workshops at Bard Graduate Center, The CUNY Graduate Center, John cat. In addition to her work at Bard Graduate Center, Most recently, she contributed the essay “Collecting as Historical Practice and the Conundrum of the Unmoored Object” to the Oxford Handbook of History and Material Culture (forthcoming 2017), edited by Ivan Gaskell and Sarah Anne Carter. the Lines: The Pictorial Press, Everyday Life, and the Crisis of Gilded Age Smithsonian Institution and working on a book focusing on the tradition of the of many exhibitions such as Beer Here: serve as senior historian. Photographs of San Francisco’s Old Chinatown, 1895-1905 (1984). New York, NY 10024 He teaches courses at Yale on American decorative Gallery Project at Bard Graduate Center, is a scholar and curator and author of Whalen’s forthcoming book is titled Material Politics: Francis P. Garvan, American Antiques, and the Alchemy of Collecting in the Interwar United States, from University of Massachusetts Press. Catherine Whalen is Co-director, and Associate Professor at the Bard Graduate Center in New York City, where she has taught full-time since 2007. Additional contributions by Bard Graduate Center staff. co-founded the Museum of Chinese in America in 1979-80 where he continues to American studio furniture. of American Art at The Metropolitan Museum of Art, and author of numerous 212.501.3023 History of Design: Decorative Arts and Material Culture, 1400–2000. It is affiliated with Bard College, located in Annandale-on-Hudson, New York.The gallery occupies a six-story townhouse at 18 West 86th Street while the academic building and library are located at 38 West 86th Street. Katherine C. (Kasey) Grier is Co-director, and Professor, Department of History, and Director of the Museum Studies Program at the University of Delaware. Eternal Ancestors: The Art of the Central African Reliquary (The Metropolitan Museum of Art and Yale University Press, 2007). digital initiatives at museums and cultural organizations in New York, Rome, Culture. He has served as executive producer on many digital NEH-sponsored Any views, findings, conclusions, or recommendations The multi-phased transformation of three historic townhouses creates an urban campus and physical identity for the Bard Graduate Center for Studies for the Decorative Arts, Design and Culture, an institution dedicated to advancing recognition of the decorative arts as primary expressions of … Lauren Cornell. projects, ranging from artistic production to collections management. (2011) and “Spilt Ink: Aesthetic Globalization and Contemporary Chinese The Office of Graduate Studies Bard College Annandale-on-Hudson, NY 12504 845-758-7895 dgs@bard.edu Program-specific questions should be directed to the admission staff in the individual graduate program. Erin arrived at Bard in 1995 as assistant dean of students/director of first-year students, responsible for orientation and student activities. and Enterprise of American Design, 1875-1900 (2001), and Interwoven Globe: The Worldwide Textile “Display,” in Material Religion Restaurants near The Bard Graduate Center; Search. In 2006, she published Pets in America: A History and curated a touring exhibition on the history of pet keeping in the United States, At Home With Animals, which traveled to seven venues over three years. Sarah holds an MA in the history of design, decorative arts, and material culture from the Bard Graduate Center and a BA in art history from New York University. Exh. CUNY Graduate Center. Joshua Brown, Executive Director of the American Social Friedman-Stadler privately consults for artists and collectors on various She is the President of the Institute for He is currently a PhD candidate at The "The Ingenuity of Qin-Han Craftsmanship." 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